Now What Does this Do?
Spread-eagled
undercover
you never realised
your imagination
had a manual override
nor that it was so effective
and so conveniently placed.
The handbook said nothing
and yet you would have thought
that that would.
29 August 1989
Not quite sure what to say about this one. What puzzles me more is what I said when I showed it to B. because I showed her all my poems at this point.
If he had a choice, lose his libido or his imagination, what would a writer choose? It's a preposterous proposition but for a second or two try to take it seriously. When I first came online I found myself getting into some quite involved e-mail exchanges with no less than three different women and all about poetry. Poetry! I'll say it again: poetry. All my life I'd waited for a woman I could talk about poetry with and here were three and I hadn't even been looking very hard. B. had gone to university to study English but had to quit because of ill health--I still have her copy of The Faber Book of Modern Verse which she gifted me having no further use for it (red flag there)--but I could never really talk to her about poetry. She's read poetry, discussed poetry, written essays on poetry but she'd never written any poetry and that is a gulf to cross.
One of the women I corresponded with in those early days was called Deb and we got on to the subject of the erotocism of poetry which has nothing to do with writing erotic poetry. She was the first person to suggest that what one experienced in the process of writing a poem could be throught of in sexual terms. And why not? Research shows that during ejaculation, men release a cocktail of brain chemicals, including norepinephrine, phenylethylamine, serotonin, oxytocin, vasopressin, nitric oxide and the hormone prolactin. Phenylethylamine is the interesting one because it triggers the release of dopamine which is the brain's reward when we complete or achieve something.
Now I'm no scientist and the research concerning dopamine and its relation to creativity is contradictory but all I can say about the few months surrounding this poem is that I was constantly looking for my next fix. I coudn't write them poems fast enough. Never in my life have I experienced anything like it. Of course there was a price to pay and when I crashed at the end of this I crashed big time: no poems for three years solid and my second major depression but let's not get ahead of ourselves.