The Apeman Cometh
I remember his eyes,
his little sunken red eyes,
peering out of the cavern
of a grey simian skull.
They looked as if they were
staring from the depths
of my past.
Wondering what had become of me.
And not quite able to focus.
28 August 1989
Adrian Mitchell (1932-2008) has been described as “a prolific and popular British poet/dramatists known for works with a strong social conscience.” I mention him because the title of my poem is also the title of a collection by Mitchell from 1975. I don’t own a copy. I’ve never owned a copy. I may have handled a copy at some time—the cover looks familiar—but I couldn't have said with any certainty that I’d read the book or even any poem by Mitchell before I looked him up about an hour ago. I couldn’t find the title poem but I did find some others from the collection: ‘Ancestors’, ‘Ten Ways to Avoid Lending Your Wheelbarrow to Anybody’ and the very sweet ‘Beatrix is Three’. The first one does have a familiar ring to it but I couldn’t find any individual poem called ‘The Apeman Cometh’. The closest was this:
The Apeman's Hairy Body Song
Happy to be hairy
Happy to be hairy
When the breezes tickle
The hairs of my body
Happy to be hairy
Happy to be hairy
Next best thing
To having feathers
I say I don’t recall ever reading a poem by Mitchell which is true but I do remember hearinghim read a poem (probably on the BBC), the rather wonderful ‘To Whom It May Concern’ which he periodically updated to take account of the changing times. (Nalaka Gunawardene’s blog post is worth checking out.)
When I sat down to write this in my head I’d taken the title from Eugene O'Neill’s play, The Iceman Cometh (which I’ve never seen), but who knows now?
The poem reminds me of ‘The Drowning Man’ (#600). I don’t suppose I’m the first writer who’s looked in the mirror and wondered who was looking back at him be it a madman or an apeman.